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How a Journalist Found History, Home, and Heart in Sicily

As an Emmy-nominated international journalist, host, and producer, Eszter Vajda traveled the world to pursue stories and subjects. But it was actually a trip back home to Massachusetts, where the Hungary-native grew up, that led her to Sicily. 


"There are no coincidences," Eszter reflects. 


She had interviewed Merrimack Valley-based radio host Tom Zappala of The Sicilian Corner a few times, including for a story on Lawrence, Massachusetts' Feast of The Three Saints (patterned after Trecastagni, Sicily's Saints Alfio, Filadelfo, and Cirino Festival). 


One day, Tom called to see if Eszter could fill in as host for his show. The scheduled guest was Tom's brother, Alfred M. Zappala, a Northeastern Law School professor, who had just returned from Sicily.


"I really had no idea what Sicily was about," Eszter says. "We did an hour-long interview on the radio. I've always been very passionate about history, so it struck a chord with me."

 

Alfred described Sicily's important strategic location in the Mediterranean and the many peoples and cultures that passed through and influenced the island. And Eszter wanted to know more.


She invited him to appear on her TV show. The interview ended, the lights and microphone were off, and the crew was ready to go home. But Eszter and Alfred kept talking.

 

He invited her to lunch, and they began discussing a plan for Eszter to spend a month making a few videos in Sicily. 

 

Eszter arrived in Sicily in June 2014, intending to stay four weeks and produce seven videos. She ended up staying five months, and the videos took on a life of their own. The couple split time between Sicily and the U.S. while Alfred was still teaching. He retired in 2016, and they officially became island residents.


Today, you can catch Eszter and Alfred's popular video series, You, Me & Sicily!, on YouTube, sign up for one of their Sicily tours, or consult the couple for your own Sicilian vacation. Additionally, the two are deeply involved with the Sicilian Project, which raises money for academic grants to provide English-language education to students in Sicily—Alfred as Chairman of the Board and Founder, and Eszter as Public Relations & Social Media Director.

 

Eszter shared more about their work and what she ultimately hopes to give back.

 

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Shopping in Sciacca

 

How do you approach capturing the essence of Sicily in your video series?

We literally zigzag the island. We've covered the island up and down. There are very few must-see places in Sicily that I haven't been to. And we don't mind going back. 


Festivals are a very important part of Sicilian culture. Every town has its own patron saint, and it's a big deal. It's multi-generational; the kids, parents, and grandparents go together. I went to the Three Saints festival in Lawrence before I went to the festival in Trecastagni. The religious feel, the excitement, the fireworks… It's very different here. So we do that, of course.


There's a lot of food and cooking because you've got to have that. Then maybe there's an event we'll cover, like an art show or music. We'd like to be very diversified.

 

Inevitably, something, like a natural disaster in Etna, happens, and we cover it. Obviously, we were doing that during COVID.

 

We do a lot with the history. We're very fortunate to be aligned with a lot of professors from the University of Catania, and we've had [retired professor of Italian and Chairman of the Department of Modern Foreign Languages at St. John's University] Gaetano Cipolla on at least a half-dozen times. So, a lot of that, sharing the history and the culture, is really just providing what we think would be good information for the people.

 

For example, we published a video about the new Italian citizenship rules because Al does dual citizenship. There were 200 comments on it. Italian citizenship is trending on Google. So we're focused on that. We stay on top of these types of things.

 

We take people to the markets and introduce them to the people, not just the produce. We feature the vineyards, and you meet the family behind the wine. We do that a lot. We feature a lot of family-run businesses. There's even a playlist. "Family-Run Businesses." That's very important. 

 

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Eszter in Taormina

 

What makes your private and group tours unique?

What makes them unique is that we live here. You'll go to places we frequent. We take you to restaurants where the owners are our friends. The owners of the hotel you're staying in are our best friends. We've vetted the vineyards and have been going there for years and years.

 

We have made incredible connections. We have drivers and guides and hotels all over the island. We visit vineyards, do olive oil tastings, go to the Sicilian cart museum, and ride boats. We offer a basket of experiences.

 

For the private tours, I work one-on-one with the families multiple times to make sure that it's what the family wants. And 99.9% of the time when a family comes, it's because they want to come to Sicily and see an ancestral home. So those are some very special tours.

 

We keep our group tours very small, so they're very personalized and customized.  

 

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A colorfully decorated boat in Aci Trezza

 

Tell us more about the Sicilian Project, which Alfred founded.

English as a second language is a huge problem in Sicily. Alfred wrote in one of his books (and I'm not quoting him exactly), "If someone gave me a donation, I would start some kind of an English-as-a-second-language language program that would be free for Sicilian kids." Someone who read that book called and said, "I'm going to send you a check."

 

This man, Steve Carbone, who is still a good friend of ours, sent Al a $10,000 check. And Al said, "Oh my God, I've got to do something." So he made it a 501(c)(3).

 

We've had very regular classes. We had one in Brolo, we had one in Bagheria outside of Palermo, and we have them in Canicattì, Aci Trezza, and Aci Catena. We hold these classes, and they run as sort of summer camps. We play (depending on the level of the kids), we sing songs, and have conversation.

 

When COVID hit and we had to cancel two classes, what we started doing was handing out money to the churches. So for about two years, we did that for Easter and Christmas. Some churches had more need than others. Then, we literally restarted the Sicilian Project.

 

I'm so thankful we're able to have classes now. We had four classes this past fall, and we started an adult class where Sicilian professionals who want to improve their English come and do that.

 

We just finished a class with 15 kids and six adults, and we were able to get guys from Naval Air Station Sigonella to volunteer because they have to do a number of hours of volunteering. So we had native speakers. I did class, and Alfred taught.

 

When I came here, I felt like Sicily was like a blanket. And then Sicily gave me so much beauty, food, and nourishment, emotionally and physically, that I was hellbent on being a very active member of the Sicilian Project. And not just being a board member, but actively giving back. We are very, very active. 

 

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A rainbow of umbrellas floats above a street in Catania.

 

What do you hope to share through your work?

First of all, we started the show to dispel stereotypes and myths about Sicilians and educate people about Sicily's deep and wide contribution—not just to Europe but to civilization.

 

Bringing people to their ancestral home is probably one of the most gratifying things. Hearing the oohs and ahhs of people on my tours when they're out seeing something beautiful or tasting something. When you are in Sicily, it is an experience for all the senses, right? You're emotionally overwhelmed by all the senses that are stimulated. So, that's what I hope my work does. I hope it inspires and educates more than anything.

 

 

 

 

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Casarecce: The Sicilian Scrolls of Pasta

There are hundreds of types of pasta—perhaps even about 360, says Jacqui DeBono, who runs The Pasta Project blog from her home base outside of Verona. Originally from Britain, the former journalist and English teacher became fascinated with pasta after moving to Italy about 22 years ago with her Sicilian husband. She's chronicled her exploration of more than 100 uniquely shaped noodles, documenting their stories, recipes, and preferred sauces. One type in particular has especially captured Jacqui's fancy: Sicily's casarecce, shaped like rolled-up scrolls. The pasta's name comes from the Italian word casereccio, which translates to homemade, which Jacqui says is the best way to enjoy it.


Jacqui took the time to share more about her project and this special pasta with me.

 

 

What inspired you to start The Pasta Project?

I moved to Italy 22 years ago, although I visited many times, and prior to living in Italy, I lived in Malta. Pasta is really popular everywhere, but pasta in Italy is not the same as pasta everywhere else. And I was just really impressed with how many different types of pasta—more than 360, they say—and all the different ways the Italians prepare them. It's really so much more than what people know outside of Italy or what people are familiar with. So I decided I just wanted to share that with other people. 


I am nowhere near the 360 types of pasta. I have maybe close to a hundred that I've made, bought, or cooked. I still have a long way to go.


I try to divide the recipes between Italy's 20 different regions. The pasta you find in Sicily, you won't find here in Verona. Everybody more or less sticks to their type of pasta, except for the things that have become sort of popular throughout the country, like spaghetti.

Spaghetti was invented in Sicily, but it's eaten throughout Italy, and it's obviously eaten in many other countries. So, some types of pasta have gained popularity elsewhere. And there are types of pasta that never really got out of the region. You'll only find them there. 

 

Why is casarecce one of your favorite pasta types?

Apart from the fact that it's Sicilian, I like it because it's one of the prettiest traditional flour and water pastas. And it's very versatile because of the shape. It looks like a little scroll, and sauce gets stuck inside. So, it looks nice, is easy to make, and is very versatile. You can eat it with ragù, and you can eat it with pesto. 

 

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Jacqui DeBono uses a pasta press or ferro (pictured here). 

 

What is the difference between homemade and commercially produced casarecce?

For homemade, you can make it two ways. You can use the traditional ferro, which is a very fine iron rod that many traditional pastas, particularly in the South, were made with. Or you can make it with a pasta press.


Commercial pasta is made in two ways: with a bronze die, which you'll find the more traditional artisan pasta makers use, or Teflon dies, which big pasta makers, like Barilla, use. They don't have the same texture as the bronze-die pasta because they tend to be smoother. 


When you make it yourself, it's not as uniform. Obviously, with commercial pasta, every piece is perfect. The word casarecce comes from casereccio, which means homemade. It's not perfect, but I think homemade pasta tastes better than commercially produced pasta. It has a nicer texture. You can taste the wheat. 

 

What are some tips for making casarecce?

The only real tip is to use the right kind of flour. And what I discovered quite recently is that although we tend to call it semolina flour, it's actually semola rimacinata, which is re-milled semolina flour. So, if you get semolina flour in the States, it's not going to be exactly the same as the similar semola rimacinata because that's finer. And that's the flour that all Italian dried pasta is made with. In the States, it would be called durum flour, not semolina flour, because semolina flour is coarser than durum flour. So it's important you have the right flour because otherwise, you won't get the right texture and consistency.
 

What's your favorite way to eat casarecce?

The one I really like is with caponata. Caponata with pasta is not a traditional combo. Most Sicilians eat caponata as a side dish or as a starter with some bread. But more recently, it's become quite popular to put it with pasta. And I really like that; it's all the flavors on one plate.

 

It's also really good with pestos. You can cook it with ragù, but I think it's so much nicer with vegetarian or vegetable sauces. 

 

 

 

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