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Conversazione

Everyday Italian: Domenica Marchetti’s Secrets to Simple, Delicious, Ingredient-Driven Cooking

Cooking Italian doesn't have to be complicated. In fact, some of the best dishes are among the simplest, featuring fresh, seasonal ingredients and key pantry staples. Unlike certain cuisines with complex sauces and overwhelming techniques, Italian cuisine is just as approachable as delicious.


That idea inspired Domenica Marchetti's latest cookbook, Everyday Italian, her eighth book on Italian cooking. Domenica, who has a ninth book on the way, has Abruzzese roots and a home in Abruzzo. The region formerly known as Abruzzi just so happens to have been part of the Kingdom of the Two Sicilies, so it's no wonder many of our cooking traditions are shared. 


Domenica took time out of her busy schedule of writing, teaching, and leading culinary tours to chat with me about her influences, favorite techniques, must-have staples, and what she hopes readers will take away.

 

 

Tell us about your background.

I am based outside of Washington, D.C., in Northern Virginia. But we also have a little house in Abruzzo.

 

I grew up spending my summers in Italy on the Adriatic coast of Abruzzo. We had a beach house there for many years, and that's really where my love for Italy just grew. I was spending all that time there.


My mom was from Chieti; her mother was from the city of Atri, which is also in Abruzzo. Her dad was actually from Perugia in Umbria. Her family stayed in Abruzzo. 


On my dad's side, his parents came from Italy. His mother was from Isernia in the Molise region, which is attached to Abruzzo, and his dad was from Fondi in the Lazio region, which also includes Rome. But my main attachment is to Abruzzo because I spend a lot of time there. 


My mom was a wonderful cook. Like many Italians, she came to the U.S. in the 1950s. She was kind of in love with post-war America and ended up meeting my dad on a blind date in New York City and staying.


When she got married, she taught herself how to cook because she grew up in a family with a cook. So she didn't need to learn anything when she was growing up, but she loved cooking and was a fantastic home cook. So she's really my number-one kitchen muse.

 

How did you get into food writing?

My background is in journalism. I went to Columbia Journalism School and was a newspaper reporter before becoming a freelance writer. So, when my kids were little, I transitioned to freelance writing and reinvented myself as a food writer because that's what I was interested in doing. 


I used my connections in newspapers and magazines to start freelancing. And then that eventually led to books and cooking classes and doing book tours. More recently, with COVID, I started teaching online. I also do occasional culinary tours in Italy, which I've been doing for about a decade.

 

You've been to Sicily. Describe your experience.

It's been quite a few years, but I have been. We had family friends from Sicily who lived in Rome, but they also had places in Palermo and the coastal town of Mazara del Vallo.


It was before I was a full-time food writer. I remember walking through a citrus grove in this family's yard and just being completely enchanted.


I grew up in central New Jersey, and we didn't have those there. 


Of course, there are all the sweets and confections, the cannoli, the marzipan, the sweet ricotta, and the stuffed treats, and it's just such an incredibly flavorful cuisine.


I also remember the first time I had pasta with eggplant, which was basically pasta with tomato sauce and fried eggplant on top. I can't think of anything simpler, but it was absolutely delicious.


I was thinking about these assertive flavors in Sicilian cuisine: the fish, either dried or tinned or even fresh, the sardines, the anchovies, the swordfish, the tuna, and then the vegetables, the peppers, eggplant, zucchini, tomatoes, artichokes, winter squash. I mean, just all of the colors! 


One of my favorite cookbooks on the food of Sicily is this book by Anna Tasca Lanza, The Heart of Sicily. It came out in the early 1990s, and I was in Los Angeles, of all places. My husband and I were coming back from our honeymoon, and his mom lived in California. We were walking around L.A., and we happened upon this cookbook store. Anna Tasca Lanza was there signing copies of her book. This was before the cookbook craze, so nobody was there except those who worked in the bookstore. So we sat down, chatted with her, and bought this book.


Outside of my mom's cooking, this book has been such an inspiration to me because it really did introduce me to Sicilian cuisine. In the introduction, she talks about the many cultures that passed through Sicily: the Greeks, the Romans, the Arabs, the Normans, the French, and the Spanish.


She said all those conquerors and the wayfarers made an imprint on Sicilian cuisine without altering its basic character. The main element of Sicilian cooking has always been the sun. And that is so true if you think of the way they sun-dry tomatoes, the way they make the tomato paste, estratto, by spreading it out under the sun, the way they sun-dry vegetables like eggplant and zucchini and then preserve them in oil. The sun just brings out the colors and the flavors of all these vegetables and foods. And I really think that quote encapsulates Sicilian cuisine beautifully.

 

You highlight some of those techniques in Preserving Italy.

My grandmother from Abruzzo used to sun-dry sour cherries so that she would do the same thing. She would dry them in the sun until they were half-dried, not completely shriveled. She would put them in jars with brandy and sugar. She would make these boozy preserved cherries. 


That really was the impetus for Preserving Italy because I wanted to recreate those sour cherries. In the introduction, I tell how when my sister and I were little after our grandmother passed away, there were still a few jars of those cherries in the pantry. My mom and her sisters—she had three sisters—were very, very parsimonious about doling out those cherries. And they made them last for years.


The only way we could ever get cherries was if we told them we had cramps. When we had cramps, we were allowed to have a little spoonful of these really alcoholic, boozy, sour cherries. And then they were gone. 


Years later, the more I started getting into Italian food, the more I thought about the foods I grew up with. So, I wanted to recreate those cherries. 


Living in northern Virginia, it's very humid, so I can't sun-dry anything without it turning into mold. So, I did a version of oven-drying the cherries and then giving them a long marinating in spiced, sweetened alcohol.


There are other things like candied citrus peel, which is one of my favorite things to make. I always make it for the holidays because it's got so many uses. For one thing, it just makes your kitchen smell wonderful when you're cooking down orange peel and then cooking it in syrup until it thickens and nicely coats the fruit. You let it dry, then roll it in sugar, and you've got this wonderful confection that you can dip in chocolate or mince and put into cakes and cookies or use as a garnish for cannoli.

 

All these wonderful traditions are preserved throughout Italy. I mean, Italy has so many foods that grow well, such as hazelnuts, pistachios, almonds, and vegetables. There are just countless ways of preserving them.

 

Abruzzo was part of the Kingdom of the Two Sicilies, so there are likely shared food traditions.

I think that's absolutely true. What's interesting about Abruzzo is that it is central, but because it was part of the Kingdom of the Two Sicilies, it is identified with the South, and a lot of its cuisine is associated with the South. 


I liken it to the Missouri of Italy. Missouri is kind of the gateway to the Midwest, but you think of it a little bit like the South. It's kind of in the middle of the country, but it's a little bit west if you think of Kansas City, Missouri. So it's got all these different cultural influences.


I feel like Abruzzo is the same thing. But yes, because it was part of the Kingdom of the Two Sicilies, I do believe it does have strong ties with southern Italy. So, some of the same foods are prepared in similar ways, like peppers. The cover recipe for Preserving Italy is peppers preserved in olive oil, which I absolutely love. They basically get a bath and sweet and sour vinegar brine with capers and garlic, and then you drain them after they've marinated a good long while in this sweet and sour brine, and then you top them off with olive oil and just pop them in the fridge. You don't even have to can them. And they're just such a wonderful thing to have around either to put on pizza or crostini or as a side to roast chicken. 

 

That's a very Sicilian thing, actually, this idea of sweet and sour, they love their agrodolce. They do it with fish; they do it with vegetables. One of my favorite treatments for agrodolce is winter squash, the zucca agrodolce, which is a Sicilian dish. It's thinly sliced pumpkin or winter squash, fried with olive oil, and then just sort of plunged into a sweet and sour vinegar dressing or brine and other vegetables. You can do that with eggplant with caponata, but I really love it with the winter squash.

 

My mom used to make that when I was growing up. It was a Sicilian dish, but she really liked it, so she used to make it, and that remains one of my favorite dishes. A couple of years ago, I ended up making a winter squash version of caponata instead of eggplant, but with the celery and the tomato, and it was so good. 


I really love the sweet-and-sour tradition of Sicilian cuisine. One of the things that Anna Tasca Lanza points out in her book is that the Arabs who came over introduced the planting of sugarcane to Sicily. Ever since then, Sicilians have had a sweet tooth. So they like the sweet and sour, and also all of the sweets and confections, too. I think they can thank history for their sweet tooth.

 

In Everyday Italian, you share must-have Italian staples. Which are specific to Sicilian cuisine?

When I think of Sicilian cuisine, the first thing that comes to mind is nuts. They have the wonderful Sicilian almonds from Noto. And if you've not tasted a Sicilian almond side by side with, say, a California almond, you might not even know there's a difference. But there's a real difference. If you taste a good Sicilian almond, you understand almond extract all of a sudden because some people don't necessarily like almond extract; they find it bitter and strong in flavor. But if you taste a Sicilian almond, you will taste a tiny bit of that aroma from almond extract, and you understand what almond extract is. It really has that almond flavor. 


I occasionally splurge on Sicilian almonds. I buy them online. Last year, my daughter used Sicilian almonds to make these almond crescent cookies for Christmas. She's not as big a fan of the almond flavor as I am, so she doesn't ever use almond extract, but she used these Sicilian almonds.

 

We tasted the cookies fresh from the oven, and I asked, "Did you put almond extract in these?"


She said no. And it's because she used these Sicilian almonds.


Pistachios, too. If you take the time to peel them, they have this incredible green color. And that rich, nutty, sweet pistachio flavor or pine nuts, which are very Sicilian and buttery. 


For other ingredients, I think of capers, capers and caper leaves, brined capers, and salted capers with those punchy flavors.


Then there are anchovies, bottarga (the dried tuna roe), and colatura (the liquid from preserving the anchovies). All of these really strong flavors contribute to the richness of Sicilian cuisine.


There's vinegar, of course, and herbs. When I think of Sicilian cooking, I immediately think of mint. We were talking about winter squash and agrodolce; mint is the herb you sprinkle in that. 

 

What advice would you give to home cooks?

I would just say that it's pretty easy. Italian food is all about ingredients. And I know people have said this before, but it's not like trying to master fancy French sauces or overly manipulated food or trying to transform one thing into another. It's really about giving ingredients the best expression you can give them so that their own flavors shine. 


I would say the most important thing is to choose good ingredients that are the best you can afford. It's worth it because you really understand Italian cuisine. It doesn't have to be overly complicated. 


I mentioned pasta with eggplant. It's really just a simple tomato sauce made with either fresh or canned tomatoes, fried seasoned eggplant, and good-quality pasta. When you're buying pasta, buy the best you can afford. The same goes for good olive oil.


Be open to different ingredients and flavors. You will be successful if you work with high-quality ingredients and have reliable recipes. 


For example, maybe you don't know too much about artichokes and think it takes a lot of work to peel them. Once you've done it, it's like anything. You just roll up your sleeves and do it, and it becomes easier. So, if you happen to find good whole artichokes in the market, don't shy away from them. Buy them. Find either a video or a description. You'll see that the more you do it, the better you get at it. It's just a process, a learning process, and don't be daunted because Italian cuisine and its essence really is simple.

 

>>Get your copy of Everyday Italian here!<<

 

 

 

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Sicilian Roots in New Orleans Cuisine: The Untold Story Behind Iconic Dishes

NOLA's muffuletta has Sicilian roots.
Photo by Laura Guccione

New Orleans is renowned for its cuisine. But when it comes to several of its most iconic dishes, some credit should go to the area's Sicilian transplants, says Louisiana historian Laura Guccione


"If you think about something like shrimp creole with tomatoes in it, a lot of people have said that it definitely has a Sicilian influence," says Laura. "And if you go to a restaurant here, a lot of places have stuffed artichokes on the menu. That's definitely directly from Sicily."


Curious about the Sicilian origins of Louisiana's plants and foods, the Delgado Culinary School graduate pursued a master's in urban studies at the University of New Orleans. Her graduate thesis evolved into two New Orleans history book manuscripts, one on St. Joseph's Day and the other on Sicilians and Creole Cuisine, both currently under peer review by LSU Press. 


I caught up with Laura to learn more about how Sicilians colored New Orleans's rich history. She shared some of the more surprising food contributions and how Sicilian corner stores promoted what's become known as New Orleans cuisine.

 

 

What is your background?

I'm a native New Orleanian but grew up in the suburbs. My father's a hundred percent Sicilian. His story is interesting because his father was born in Louisiana, but in Lettsworth, Louisiana, which is north of Baton Rouge and sugar cane country. His grandfather did not like it here, so they went back to Sicily. So, my grandfather was an American citizen. He was born here but was raised in Sicily. He came back as a teenager at 17 and then lived in New Orleans. I still have direct cousins in Sicily because his brother stayed in Sicily.


My mother's family is from the very beginning of New Orleans. They're a Creole family, also Scots-Irish. 


I grew up here, worked in the service industry for about 30 years, tending bar, and then decided to go back to school after Hurricane Katrina. 


I went to culinary school, but I soon realized that as much as I loved restaurants, food, and cooking, I was really more interested in history. So, a few years later, I went back to get my master's degree from the University of New Orleans.

 

How did the challenges Sicilian immigrants faced influence their culinary contributions?

Sicilians assimilated quicker than most places, so I think it's harder to see what they've done. They immediately spread all over the city, including on the West Bank, uptown, downtown, and outside of New Orleans, because many of them came to work the sugarcane fields. 


They were basically migrant workers. They would come here, spend time in Louisiana, then go to Chicago and go up to where other things were being harvested. 


They went back and forth, which contributed to agriculture. Many Sicilians had small farms outside of New Orleans, almost within the city limits. 


What happened with the Sicilians is that they contributed a lot to Creole cuisine. It's not as obvious as an actual dish, with the exception of the muffuletta and a few other things that are obviously Sicilian.


They were changing cuisine here because what they were growing was what they were familiar with. They were coming back and forth so they could bring seeds and plants. They were going into the field of producing, growing, producing, and distributing fruits, vegetables, and even oysters and fish. 


In the history of recipes, you can see that as more and more Sicilians come here, you see a change in what's being used. For example, everybody talks about the trinity [onions, bell peppers, and celery]. Paul Prudhomme was the first one to start using that. I talked to his sous chef recently, and he said Paul only really cooked with celery once he got here. Where does celery come from? It comes from Sicily.

 

A lot of old gumbo recipes barely have anything in them. Through the years, you see more onions; you see more celery and peppers. Because what do they eat in Sicily more than anything? Peppers, onions, celery, and tomatoes.

 

What's a surprising Sicilian contribution to New Orleans cuisine?

If you look at the history of the poor boy, it was created by the Martin Brothers. But they went to their Sicilian baker neighbor to have the bread made. 


Baguettes from France are long and skinny with pointy ends. They went to their neighbor and said, "We need to change this because we want to make these sandwiches, but we don't want to lose that end. We want something rounder and wider."


So Sicilians and the Martin Brothers created this loaf of bread that is now synonymous with the city.  And what do people come here for? Poor boys.

 

Another contribution is the muffuletta. Can you describe its creation?

No one will probably be able to prove how it really started. There's Central Grocery and a place a couple of doors down called Progress. They both said that they created the muffuletta. Progress is gone, so it's pretty much accepted that it was created at Central Grocery. 


The story goes that Central Grocery sold the bread, which, if you go to Sicily, the muffuletta is just a round bread. Sometimes, people would serve it hot with olive oil and fennel seeds on it, but it's just bread. It's not a sandwich in Sicily.


Central Grocery had the bread and all the pieces; they would sell the salami, cheese, and olives in the big barrels and bundle up stuff for the men to go to work. 


One day, they said, "Why don't we just put it all together and make this easier?"

 

That's an example of a Sicilian-owned grocery store having an impact. What is the history of these stores?

At one point, probably in the early 1900s, maybe even heading into the mid-1900s, most of the grocery stores were owned by Sicilians or their children. They tended to be on a corner, and you didn't have a major grocery store, so that's where you probably got everything. You probably knew the people. And then there are lots of stories where the Sicilian families would let people buy on credit. So, there was definitely dependence upon the neighborhood, and the neighborhood depended on the grocers, who sold everything from flour to clothes.


Mandina's Restaurant and Napoleon House both started off as grocery stores. Most of these places started off as grocery stores, became bars, and then became restaurants. 


The story with Napoleon House is that the owner at the time said, "We'll make some sandwiches." And then it just evolved from there. Now, it's probably one of the most famous restaurants in the world.

 

What is your goal in writing about Sicilian-New Orleans cuisine and culture?

I really just want to shine a light on what I feel is a somewhat neglected history. I want something that could be used as a reference later. It's like all this work I'm doing is not just for me but for posterity. 

 

 

 

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